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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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This dynamic creates a seductive trap for the user. Because the model provides data points that fit the user’s request, the interaction feels productive. In our specific task, the user is not driven to a state where they become unhinged from reality, as the model selects valid examples that fit the true rule. Nevertheless, the mechanism creates a false sense of verification. If a user’s prior is grounded in reality, the model simply narrows their view; but if a user is uncertain or exploring a misconception, the model’s tendency to affirm that misconception can manufacture certainty where there should be doubt. The result is that users become very strongly committed to a belief for which there may only be a small amount of evidence.777This mechanism provides an account of belief maintenance consistent with cognitive models of delusion [bell_explaining_2006].。im钱包官方下载对此有专业解读
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