William Harwood
Graham, known for his long essays on startups, economics, and the tech industry, was one of the first to comment on the importance of taste in a 2002 essay in which he claimed “taste” is not objective and that “we need good taste to make good things.”
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内省的演奏者往往偏爱晚期作品，或许正因为晚期作品中不可避免的回望，总是与演奏者看向自己内心深处的目光交汇。在陆逸轩并不算多的唱片列表中，他已录制过莫扎特、舒伯特与勃拉姆斯的晚期作品，其演绎中已显现出一种“沉”的特质。
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